‘Graffiti on the Train’ is the title track from the Stereophonics album of the same name. Paul Weller's misunderstood, underappreciated '80s soul-pop outfit the Style Council are the subject of a multi-disc collection that's perfect for the uninitiated and a great nostalgia trip for those who heard it all the first time.

That it features Jones trading lyrics with a ghostly female only adds to the creep vibe: “Bowl me over from the start”, he says, before his spectral partner whispers in response, “Poison arrow through the heart.” The album even features a slight bit of funk on closer “Zoe”, the bass slapping infectious and resounding.

Adulkt Life eschew catchy hooks on Book of Curses, and its brevity works in its favor. Writer”-esque finger-pointing number on Stereophonics’ part.). It's a plea for oneness as the US exercises its essential identity as a democracy on 3 November. [7], "Graffiti on the Train" made its live debut at Electric Brixton, London. Delivering passionate and comprehensive entertainment coverage to millions of users world-wide each month. The three hits at the core of Graffiti on the Train are supported by a respectable albeit less-than-fantastic collection of supporting cuts. “I killed a man / But life is cheap, they say”, Jones’ character states, again reinforcing the world’s callous disregard for mortals’ plans. "I thought they were trying to break in, and I've got kids at home, so I was freaking out a bit," he told, The album's artwork was taken from an oil painting by Stephen Goddard. It should be noted that this is Stereophonics’ first album since the 2010 death of founding drummer Stuart Cable, and it’s tempting to ascribe the melancholia that pervades the work to his passing.

When he caught them once they told him they were trying to get to the railway behind his house to spray some graffiti on a train. The idea that they were going to leave a love message on a train for a girl who gets the train every morning had stuck with Jones, which led him to write this song.

Rubika Shah's savvy documentary, White Riot, shows punk music's casual flirtation with fascism and the rise of anti-racist punks' hugely popular response headlined by the Clash, Rock Against Racism. It was released as the second single from their eighth studio album Graffiti on the Train (2013). © 1999-2020 PopMatters.com.

[12] It has become a regular in their set list since its debut.

Don't understand the meaning of the song? The fact that they have survived long enough to have an eighth studio album, Graffiti on the Train, is a testament to the fact that they have consciously avoided the pitfall of stagnancy or playing it safe.

Dexys Midnight Runners' "Come on Eileen" is based on a real girl called Eileen that the band's Kevin Rowland had a relationship with in his early teenage years. "One Way Or Another" is based on a stalker who creeped out Blondie lead singer Debbie Harry. Watch official video, print or download text in PDF. ‘Graffiti on the Train’ is the title track from the Stereophonics album of the same name. 1. rating: 3.5. Original lyrics of Graffiti On The Train song by Stereophonics.

Such fluff is upended when the protagonist is accidentally killed by the train. Hey, click the icon to check the status of your In Carl Neville's latest novel, Eminent Domain, he creates complexities and then shatters them into tiny narrative bits arrayed along a non-linear timeline. What does stereophonics mean? Rock goddess Cathy Richardson speaks out about honoring the legacy of Paul Kantner, songwriting with Grace Slick for the Jefferson Starship's new album, and rocking the vote to dump Trump. Make sure you've read our simple. All tracks are written by Kelly Jones[6]. Before you get started, be sure to check out these explanations created The things they did & the time they spent together. As with “Graffiti on the Train”, the coloring effect of classic stringed instruments provides the extra texture needed to drive the point home. A Look at Satanism in Rock, Barry Dean ("Pontoon," "Diamond Rings And Old Barstools").

Enjoy this excerpt of cultural anthropologist Maureen Mahon's Black Diamond Queens, courtesy of Duke University Press. “She was the one / For me / She opened my eyes / To see”, he sings, and while on paper the lyrics are about as simple as can be, in his ever-forlorn voice, their gravitas reverberates in any listener who’s been in the same circumstance.

Nevertheless, a key moment is a protagonist proposing to his girlfriend by means of graffiti on a train (didn't see that one coming eh), only to be hit by another train shortly afterwards. If there is a message in the song, it is that the world is brutal and random, and cares nothing for your romantic aspirations; death, by its nature, follows its own schedule. Share your meaning with community, make it Create If rock records of this nature were indeed of the most basic variety, music fans would be so lucky.

Yes, we're back in miserable Stereophonics territory. Tracklisting: 1.
Horrors in the Closet: A Closet Full of Monsters, Horrors in the Closet: Horrifying Heteronormative Scapegoating, Johnny Nash Refused to Remember His Place, 'The Edge of Democracy' and Parallels of Political Crises, Moira Smiley and VOCO's "The Call" Says Stay Strong in Shared Humanity (premiere), Jefferson Starship Soar Again with 'Mother of the Sun', Ane Brun's 'After the Great Storm' Features Some of Her Best Songs, The Mountain Goats Find New Sonic Inspiration on 'Getting Into Knives'. The idea that they were trying to spray a proposal message on one of the trains stuck with Jones[1] and subsequently appeared in the song's lyrics. "Margaritaville" is a state of mind, but it's most associated with Key West, Florida, where Jimmy Buffett moved when he was 24. Stereophonics are a Welsh rock band that formed in 1992 in the village of Cwmaman in the Cynon Valley.The band consists of Kelly Jones (lead vocals, lead guitar, keyboards), Richard Jones (bass guitar, harmonica, backing vocals), Adam Zindani (rhythm guitar, backing vocals), Jamie Morrison (drums, percussion) and touring member Tony Kirkham (keyboards). Stereophonics has never been a smiles and sunshine kind of band, but neither has their material been as thoroughly dark as that found on Graffiti on the Train.


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