�:j�"*"n��a�MA�ͥ�E[��Y�,�( �`LTP��DB�%��o21�fg�y�f����4����r���w���# 3�$I�r���>� �T�:{E��㧹EoUI�F�4ژ'�9�r[4��k�_�,��� �5�$��O�)I~��C���I��a�ʿ�����U�&mW�)��Uӧ*������9ӕ�[�*���)c�q�X�Z5]����Vڠ��T���?�$�#� Š � �5��$�AL!���D�H… �� o�XK~N�"����-��?B���V�l2�|b2�$ܤ��i�i����~��_(Kj5UF�L{�!����Y�1��+̏�h�jY��]�k�eq̢�r��fK������c�.�3��VA}��{���~�� 0000025384 00000 n "The instant I saw the picture my mouth fell open and my pulse began to race." Wilkins agrees and shows Watson Photograph 51, which he’s been puzzling over all morning. It was critical evidence in identifying the structure of DNA. In January of 1951, X-ray crystallographer Rosalind Franklin—a Jewish British scientist in her mid-30s—arrives back in London after several years in Paris … The play’s final preview performance took place a year to the day following Kidman’s father’s death, and, at the end of it, Kidman gave a speech in which she stated that inhabiting the role of Rosalind Franklin was her way of “acknowledging the people in science who quietly do things and aren’t acknowledged a lot of the time.” Kidman went on to receive high accolades for her performance: she was nominated for Best Actress at the 2016 Olivier Awards, and won Best Actress at the WhatsOnStage Awards, the Evening Standard Theatre Awards, and was presented with the Theatre Icon Award at the 2015 Harper’s Bazaar Women of the Year gala. Rosalind Franklin and several of her colleagues and rivals step forward onto the stage to deliver, in a mix of choral address and rapidly shifting scene-setting, the story of the “race” to discover the structure of DNA in 1950s London. 0000342582 00000 n Watson and Crick's calculations from Gosling and Franklin's photography gave crucial parameters for the size and structure of the helix.[14]. �a�ţ�€A��)�l9~����)(`����֌�f`�ݣv��� .�A�{gʭ�'���K!���z|�F��k5&���Nǐ,�!sd����r��uݱ����d���>Zo �8o=j��:��:���x�� There are maybe too many scenes in which Franklin and Watson stand at invisible lab stations miming “sciency” activities like turning cranks, sliding items into slots, squinting into microscopes. It’s no wonder Watson and Crick get the jump on him in building the first DNA model. -Graham S. Because the play is a piece of historical fiction, the events it depicts took place in real life. Filmmaker Phillip Youmans’ “November” transforms Claudia Rankine’s play “Help” into a haunting “choreopoem” on white privilege. Franklin is not susceptible to flattery, flirtation, gifts, cow eyes, friendly banter, literary references, jocosity, open mockery or any of the other strategies the silly men use to soften her up. 0000026986 00000 n For the play by Anna Ziegler, see. Rosalind Franklin and Photograph 51 “Photograph 51 succeeds brilliantly in provoking the audience into thinking about how science operates, and about the position of women scientists both in the past and today.” Photograph 51 By Anna Ziegler, directed by Michael Grandage. Ultimately, the love story — our carrot in a forest of sticks — is unpersuasive. 0000020747 00000 n “Would not have made it through AP Literature without the printable PDFs. When one of her photographs, Photograph 51, shows the structural outline of DNA for the first time, her competitors Watson and Crick are rapt with … Before Rosalind can go to Leeds, however, she succumbs to her ovarian cancer and dies. Franklin continued her very successful career as a researcher, moving to J D Bernal’s crystallography laboratory at Birkbeck College London. Beyoncé owns beehives — like, actual beehives — and the Beyhive is buzzing. South Coast Repertory’s revival of Anna Ziegler’s play will not boost science’s reputation among women. Her poor colleague Wilkins (George Ketsios) fumbles in the first scene— he’s patronizing and awkward — and never recovers. Rosalind begins working in her own section of the laboratory and takes up a correspondence with an American PhD student in biophysics, Don Caspar, another Jewish person trying to make his way in a difficult field. Rosalind knows that as a female scientist—and a Jewish one—she “must never be wrong.” Later that night, Gosling takes the photo from Rosalind’s desk and delivers it to Wilkins, believing the man deserves to see the findings. 0000007996 00000 n Published in the UK by Chatto & Windus (, "The structure of sodium thymonucleate fibres. The Times endorses one incumbent and three newcomers for the Los Angeles Community College District Board of Trustees. James Watson was shown the photo by his collaborator, Maurice Wilkins, as Raymond Gosling, the author of the picture, had returned under his supervision. Photo 51 is an X-ray diffraction image of a paracrystalline gel composed of DNA fiber taken by Raymond Gosling, a graduate student working under the supervision of Rosalind Franklin in May 1952 at King's College London, while working in Sir John Randall's group. x�b```f``c`c`��� ̀ ��@���������a�$I�/�B����k���!�� (f`�f�b8~�H0�;p����1���Q���L���,�n���0X1�1M�.az˰�A/�ۃɞa��x�@�B�&^� .0[X���!a=����M��h vb>6��@�(� ` ��% Wellcome Library reference: L0073545. The original text plus a side-by-side modern translation of. He remained a committed anti-war campaigner throughout his life and was President of the British Society for Social Responsibility in Science. 0000000016 00000 n It makes for a compelling story. Every once in a while we experience a flare-up of puzzlement about why so few women pursue careers in math and science — even now, despite progress in gender equality. -- James D. Watson (1968), Max Perutz and the Secret of Life. Tensions in the laboratory increase as Rosalind refuses to collaborate with—or even really speak to—Wilkins any longer. <]>> 0000342941 00000 n "[20], This article is about the historic DNA X-ray diffraction image. It is also so much more. The outside of the DNA chain has a backbone of alternating deoxyribose and phosphate moieties, and the base pairs, the order of which provides codes for protein building and thereby inheritance, are inside the helix. Photograph 51 is confirmation of the symbol of life itself: the DNA double helix. It is also so much more. 0000014960 00000 n Saucily, Ziegler relegates these two historical lions to her B-plot, portraying Watson (Giovanni Adams) as a brash, clownish opportunist and Crick (Anil Margsahayam) as a bit smoother but just as ruthless. Our, “Would not have made it through AP Literature without the printable PDFs. See more posts by this Their tart exchanges are comically moderated by their long-suffering PhD student, Ray Gosling (Riley Neldam), who flutters between them like a child of divorce. I. Dig deeper and you find that it’s also about science itself: Crick and Watson, the ‘top down’ theoretical model builders with their inspired intuition, versus Wilkins and Franklin, the experimentalists carefully building on the foundations of their data. Your moment of zen: Karen O and Willie Nelson cover Queen’s ‘Under Pressure’. Let's Play at ChicagoNow- Highly Recommended "...Cross masterfully played Rosalind Franklin to perfection and had the audience engrossed in her every word. Anna Ziegler's Photograph 51, an exploration of the life of British scientist, Rosalind Franklin, who nearly beat James Watkins and Francis Crick to the solution of DNA's structure, is a study of ego, drive, hubris, connection and isolation, told with fascinating tension and anticipation. See all of our latest arts news and reviews at latimes.com/arts. Part of the telegram telling Crick that he and James Watson and Maurice Wilkins had won the Nobel prize for Medicine or Physiology in 1962. 0000024750 00000 n Photograph 51 is an award-winning play by Anna Ziegler. The image was tagged "photo 51" because it was the 51st diffraction photograph that Franklin and Gosling had taken. Despite his early antipathy towards Franklin, Watson was happy to share useful information with her in a friendly correspondence about her virus research. Crick and Watson, too, rejoice in Caspar’s arrival after witnessing Caspar and Rosalind interact at a party in Cambridge—they know that as long as she’s distracted from her research, the two of them have more time. Gosling is excited by the breakthrough, but Rosalind, who doesn’t believe in hastily publishing one’s results, insists on letting the image sit a while in her desk drawer before writing about it or presenting it to anyone—even Wilkins. [4][5][6][7] The image was tagged "photo 51" because it was the 51st diffraction photograph that Franklin and Gosling had taken. Touching Tribute.

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