4000 Miles looks at how two outsiders find their way in today's world. I think that kiss expressing real mutual love” while Vera sees the reality that it sent Lily There is a lot here for the actors to work with, it would be great to see what they do with the humor, the emotionality, and the snappy dialogue. Looking for a theatre and a man in his 20's! With this one, though, I just finished it and picked up another book, hoping to find something there.

Just found it again recently and gave it a read. A slight and inconsequential play that hits all the familiar tropes: generational gap, dealing with loss, aimless young character, mild rows that don't really get resolved, a sudden and non-committal ending. Together they sort through their relationship and each other's live. I think 4000 Miles is a great acting vehicle. Goodreads helps you keep track of books you want to read. Ultimately, like any play, how well it will work for anyone will be in how it is realized in a theatrical setting, not how it translates for a reader. And know an accomplished director who wants to direct the play with me in desired role. I'm also a sucker for old lady roles; I just have a long time until I can play them. I want to play the 92 yr old woman. I am the director of a Professional Actor Training Program and at the end of two years each of our students performs in a play in a role in which they might be cast as professionals. It was an okay read, but nothing remarkable. If you would like this play in your theatre, or if you are a young man able to play that role, let me know! I often get bored with reading the modern realistic/dramatic/comedic style that is so pervasive in the scene, but Herzog does it right. I wouldn't expect any less from Amy Herzog. ME: I didn't even feel good. The last time we hear them interact before Ginny’s death, Ninety-one year old political activist Vera Joseph’s solitary existence is entirely shaken when her grandson, Leo, appears at the door in the middle of the night Leo is fresh from a cross-country bike ride, and assures Vera that he won’t stay long. It's a funny play, too, because I know Vera in the form of my friend Marj and I know the character Leo in the form of many of the guys I grew up with in Northern Idaho; this sort of community of people who flout the "plugged in" age and ride their bikes everywhere. Leo thinks that they did nothing wrong. There seems to be a slight progress in understanding toward SO GOOD. A story of family and friendship anchored by the vastly opposite perspectives of its main characters — a young man at the beginning of his life and an old woman nearing the end of her own. then points out that Vera could simply knock on Ginny’s door. 4000 Miles treats their remembered life events with humor and compassion.

4000 Miles is no different. It's quite fun and has some great dialogue but it's tough to imagine this as a great work, it just never really offers anything outstanding. I think this would be a fun play to produce and/or direct for any small theater company. I never noticed this before.

Vera is angry with Ginny for giving her a wrong address. This is a wonderful heart-warming play about a relationship across two generations. Cheshire, CT, Pericles The events of the play are bookended by two deaths in Leo's life, giving the story some sense of unity. the end of the play, although not a definite improvement.

Great characters, great moments, but nothing stuck with me . Meanwhile Herzog weaves a compelling portrait of loss and healing with a single room, a grandma and a grandson. I noticed a similar pattern when reading 400 miles, I like how you pointed out that even the lack of connective internet can be seen as miscommunication. Leo (21) drops in his grandmother Vera (91) in her New York apartment after a bike trip across country. We also learn that Leo is running away from his problems.

Interesting. This overlapping dialogue often seems to happen when tension is high and there is some sort of disagreement, misunderstanding, or miscommunication. Vera, on the other hand, was a beautifully drawn person and a rare wonderful role for an elderly actress. He must be apart of nature and go with the flow. It's been a long time since I've read a play -- I don't think I realized (or I didn't remember) that this was in that format. directions on page 77. As the play progresses we learn that Vera is confronting old age with denial, She has an hearing aid and constantly refers to her memory loss as disgusting. A portrait of two lost souls on opposite ends of the generation gap still searching their purpose in life, this play certainly helped me see why Amy Herzog is a playwright to watch!

Once again Herzog writes brilliant and nuanced dialogue, and ties up just enough pieces of the story to be satisfactory but still open to interpretation.

then Vera calls her to say that they don’t need to call each other anymore. Relationship between a grandson and his communist grandma feels quite fresh and exciting on stage; the play itself feels incomplete, without a real arc outside of revealing information about the grandson. I still feel more at home outdoors on a bike than I do anything else. The relationships are all convincing and interesting. misunderstanding. There is a good amount of overlapping dialogue, indicated by a slash (/) in the script. As somebody mentioned before, it is a great acting vehicle. Even Vera and Ginny’s relationship seems to have Something to strive for. This is a wonderful heart-warming play about a relationship across two generations. Nothing fancy or complicated: just complex characters and small moments told well. said in the beginning of the summer, when you were home for a little while in St./Paul—. Amy Herzog has a lovely ease with dialogue and yet I found the builds to be a bit wanting.

Lately, my boyfriend has taken to including these people into the "hipster movement", but...when you're from Northern Idaho, where the scenery is jaw-droppingly beautiful, then that's just expected.



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